Rodgers 578 Organ

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Features
- Traditional wood veneer cabinet, built in the USA
- Choice of three veneer colors
- 2 manuals, 116 pipe organ stops, 104 additional voiceable USER/MIDI voices, 89 pipe organ voices, 15 orchestral voices, equivalent to 348 pipe ranks
- Simple, easy-to-play design
- Full general/divisional combination action
- Practice mode with built-in demo songs
- Record/playback with music storage
- USB data storage for registrations and song data
- Practice mode with built-in demo songs
- Rodgers Hymn Player automatically plays 350 built-in hymns with prelude & verse
- Matching music storage bench
- Locking rolltop
- Velocity-sensitive “Ivory Feel” keyboards with optional tracker touch
- 32-note radiating AGO pedalboard
- Expression shoes for Manual I/Pedal & Manual II
- Crescendo pedal
- 10 general memory pistons and 5 each for Manual I and II
- 10 configurable toe pistons
- Memory +/- 20 banks (levels)
- PREV/NEXT piston sequencer recall
- I/P, II/P couplers
- 6 USER/MIDI couplers
- Bass coupler
- Melody I coupler
- Over 40 demo songs
- Exclusive built-in practice assistant
- 9 historic temperaments
- Tuning control
- -6/+5 transposer
- RSS room modeling
- STOP, PLAY, REC pistons
- Stereo headphone jack
- MIDI in/out and Local Off
- Internal audio system: 2 channels x 50 watts
- Matching wood grain satellite speakers: 2 channel x 15 watts
- 2 to 10 channel external audio option
- Onboard voicing finishing and leveling control
- Pipe organ modeling technologies
- Pipes off
- Ancillary on
- Manual I/Pedal Enclosed
- Chimes
- Organ Type piston instantly activates American Eclectic, English Cathedral, French Romantic or German Baroque stops
- Adjustable Zimblestern
- Adjustable Tremulants
- Dimmer control for console lighting
- Built in USA
Available options:
- Tracker touch keyboards
- Parallel pedalboard and bench
- Interface to existing or new pipes
- MIDI sound module with over 1,100 more voices
Specification
| Engraved Stop | Voice Palette 1 | Voice Palette 2 | Voice Palette 3 |
MANUAL I |
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| Bourdon 16' | Violone 16' | Principal 16' | Quintaton 16' |
| Principal 8' | Open Diapason 8' | Montre 8' | Prinzipal 8' |
| Gemshorn 8' | 2nd Diapason 8' | Voce Umana II 8' | Acoline 8' |
| Gedackt 8' | Clarabella 8' | Flûte Harmonique 8' | Bourdon 8' |
| Octava 4' | Principal 4' | Flûte à Bec 4' | Fugara 4' |
| Rohrflöte 4' | Open Flute 4' | Lieblichflöte 4' | Kleine Gedackt 4' |
| Quinte 2-2/3' | Twelfth 2-2/3' | Nazard 2-2/3' | Quintaden 8' |
| Superoctav 2' | Fifteenth 2' | Doublette 2' | Piccolo 2' |
| Mixtur IV | Tierce Mixture V | Cornet V | Rauschquint IV |
| Trumpet 8' | Waldhorn 8' | Trompette 8' | Cromorne 8' |
| Chimes | |||
MANUAL II |
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| Spitz Geigen 8' | Geigen Diapason 8' | Salicional 8' | Viola 8' |
| Still Gedackt 8 | Stopped Diapason 8' | Bourdon 8' | Rohr Gedackt 8' |
| Viola Céleste II 8' | Flûte Céleste II 8' | Voix Céleste II 8' | Schwebung II 8' |
| Principal 4' | Unda Maris II 4' | Prestant 4' | Muted Viols II 4' |
| Nachthorn 4' | Solo Flute 4' | Flûte Traversière 4' | Spillflöte 4' |
| Nasat 2 2/3' | Twelfth 2-2/3' | Nazard 2-2/3' | Quinte 2-2/3' |
| Piccolo 2' | Wald Flute 2' | Doublette 2' | Schwegel 2' |
| Sesquialtera II | Dolce Cornet II | Tierce 1-3/5' | Larigot 1-1/3' |
| Scharff III | Cymbale III | Plein Jeu IV | Sifflöte 1' |
| Bassoon 16' | Contra Trompette 16' | Bombarde 16' | Dulzian 16' |
| Schalmei 8' | Oboe 8' | Hautbois 8' | Trompette 8' |
PEDAL |
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| Principal 16' | Open Wood 16' | Contrabass 16' | Violone 16' |
| Subbass 16' | 2nd Subbass 16' | Bourdon 16' | Quintaton 16' |
| Octava 8' | Octave 8' | Montre 8' | Violoncello 8' |
| Bourdon 8' | Stopped Flute 8' | Flûte 8' | Still Gedackt 8' |
| Choral Bass 4' | Fifteenth 4' | Flûte de Bois 4' | Quintflöte 10-2/3' |
| Posaune 16' | Trombone 16' | Bombarde 16' | Basson 16' |
| Trompete 8' | Trumpet 8' | Trompette 8' | Dulzian 8' |
| Klarine 4' | Cornet Clarion 4' | Clarion 4' | Schalmei 4' |
Additional User MIDI Voices
- Principal 32’
- Contra Geigen 32’
- Contra Bourdon 32’
- Spitz Prinzipal 16’
- Lieblich Gedackt 16’
- Dulciana 16’
- Cellos Célestes II 16’
- Erzhaler Célestes II 16’
- Montre 8’
- Bach Principal 8’
- Gemshorn 8’
- Gamba 8’
- Dulciana 8’
- Holzgedackt 8’
- Gross Flute 8’
- 2nd Flute Harmonique 8’
- Célestes III 8’
- Unda Maris III 8’
- Principal 4’
- Open Flute 4’
- Chimney Flute 4’
- Quinte 2-2/3’
- Nazard 2-2/3’
- Gemshorn 2’
- Piccolo 2’
- Tierce 1-3/5’
- Larigot 1-1/3’
- Septième 1-1/7’
- Sifflöte 1’
- Jeu de Clochette II
- Quartane II
- Scharf II
- Gabler Cornet V
- Pedal Grand Mixtur VI
- Grave Mixtur IV
- 2nd Grave Mixtur IV
- Fourniture San Sulpice IV-VI
- Tierce Fourniture VI
- Grand Mixtur VIII
- Double Ophicleide 32’
- Contre Bombarde 32’
- Contre Bassoon 32’
- 2nd Bombarde 16’
- Contre Trompette 16’
- Rankett 16’
- Trompet 8’
- Trompette 8’
- 2nd Trompette 8’
- State Trumpet 8’
- Chamades 8’
- Dulzian 8’
- Cromorne 8’
- Baryton 8’
- Cor d’Amour 8’
- Regal 8’
- Vox Humana 8’
- Vox Humaine 8’
- Vox Humaine Trem 8’
- Clarion 4’
- Clairon 4’
- 2nd Clairon 4’
- Rohrschalmei 4’
- Principals III 8+4+2
- Principals+Mixturs 8+4+2+IV
- Flute Célestes IV 16+4
- Célestes IV 16’+4’
- Célestes VI 16’+8’+4’
- Célestes VII 16’+8’+4’+Vox
- Voxes II 16’+8’
- Voxes II 16’+4’
- Full Swell 16’+8’+4’+Reeds
- Tibia 8’
- Tibia 4’
- VDO Celeste 8’
- VDO Celeste Trem 8’
- Tuba Trem 8’
- Cornopean Trem 8’
- Tibias 16’+8’+Vox 16’+ 8’
- Full Tibias+Strs 8’+4’
- Vox&Str 16’+Tib 8’+Quint
- Vox 16’+8’+Celetes 8’
- Tibias 8’,4’+Str
- Tibias 8’,4’+Str+Vox
- Tibias 8’,4’+Tuba 8’
- Tibia 4’+Celestes 8’
- Tibias 4’,2’+Str 16’, 8’
- Tibia 4’ + Kinura 8’
- Str 8’+Tibias 2’+Glocken
- Tibia 4’+Glockenspiel
- Organ Harp 8’
- Chrysoglott 4’
- Tubular Bell
- Tracker/Barker Noise
- Orchestral Oboe
- Orchestral Clarinet
- Orchestral Flute
- Orchestral Trumpet
- Harpsichord 8 I
- Harpsichord 8 II
- Harpsichord 4
- Harpsichord Lute
- Harpsichord 8+8
- Harpsichord 8+4
- Celesta
Expression Pedal
- Manual I/Pedal and Manual II expression pedal
- Programmable crescendo pedal
Combination Action
- General 1-10
- Manual I 1-5
- Manual II 1-5
- 20 internal memory banks
Size and weight
- CONSOLE DIMENSIONS: 45.7" (116 cm) height x 58.3" (148 cm) width x 27" (69 cm) depth without pedalboard; 44.1" (117 cm) depth with pedalboard.
- WEIGHT (packaged approx.): Console, speakers, pedalboard & bench: 584 lbs (265 kg)
Rodgers maintains a policy of continuous improvement on its instruments and therefore reserves the right to change specifications without notice or obligation.



